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Founded in 1993 by composers and multi-instrumentalists Iskandar Hasnawi (France) and Renaud Tschirner (Austria), joined by keyboard player, programmer and engineer Sébastien Roland in 1997, ELEND have gathered around them various musicians in the course of their existence: violinist David Kempf (2000-present), the sopranos Eve-Gabrielle Siskind (1994-1995), Nathalie Barbary (1995-2003), Esteri Rémond (2003-present) and Laura Angelmayer (2005-present).
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The new compositions follow the long epic prose poem which also served as the foundation for the previous two parts of the “Winds Cycle”, combining personal themes with references to ancient Greek authors.
Techniques from the musical avant-garde are tied together with a massive use of electronics and experiments with the human voice; microtonality, sonorism and musique concrète are fused with the post-Romantic instrumentation that is still intrinsically linked to ELEND’s musical identity.
ELEND resurfaced with Winds Devouring Men in 2003, the first part of a new sequence of albums.
This work saw them take a quieter turn, soft and delicate strings were organically intertwined with exotic tones and harsh metallic textures and sounds inspired by French musique concrète.They might have been cosseted with extravagant gifts from royal relatives and eminent statesmen, but their mother – in the tradition of her own mother Alice and her much-loved grandmother Queen Victoria – imposed a rigorous English regime of frugality, hand-me-down clothes, iron bedsteads, plain nursery food and cold baths.The girls were educated in the necessary social graces and spoke French, Russian (among themselves) and English (with their parents), but they were never spoilt.Umbra, We watch the Moon of Amber And again, the Garden mourns its silent dream.Unguarded, some fragments of light linger in your sky.The girls followed suit, often referring to themselves collectively in letters as OTMA, their first-name initials.