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To comfort the panicked Moritz, Melchior, who has learned sexual information from books, tells Moritz that all of the boys at their age get these dreams.Moritz, Melchior and the other boys – Ernst, Hänschen, Otto and Georg – share their own sexually frustrated thoughts and desires ("The Bitch of Living").
The production also garnered four Drama Desk Awards, while its original cast album received a Grammy Award.Martha admits that she has a crush on Moritz, but is made fun of by the other girls.At the top of the list is the radical, intelligent, and good-looking Melchior ("My Junk").Set in late-19th-century Germany, the musical tells the story of teenagers discovering the inner and outer tumult of teenage sexuality.In the musical, alternative rock is employed as part of the folk-infused rock score.Wendla Bergmann, an adolescent in late-nineteenth-century Germany, laments that her mother gave her “no way to handle things” and has not taught her the lessons she is meant to know as a young woman (“Mama Who Bore Me”).
She tells her mother that it is time she learned where babies come from, considering that she is about to be an aunt for the second time.
2006 Off-Broadway 2006 Broadway 2008 First US Tour 2009 Vienna 2009 West End 2009 Tokyo 2009 Rio de Janeiro 2010 São Paulo 2010 Sydney 2010 Buenos Aires 2010 Second US Tour 2015 Caracas 2015 Broadway revival 2016 Leicester 2016 Barcelona 2017 Third US Tour Tony Award for Best Musical Tony Award for Best Book Tony Award for Best Score Drama Desk Award for Outstanding Musical Drama Desk Award for Outstanding Music Drama Desk Award for Outstanding Lyrics Outer Critics Circle Award for Outstanding Musical Outer Critics Circle Award for Outstanding Score Critics' Circle Theatre Award for Best Musical Laurence Olivier Award for Best New Musical Grammy Award for Best Musical Show Album Spring Awakening is a rock musical with music by Duncan Sheik and a book and lyrics by Steven Sater.
It is based on the German play Spring Awakening (1891) by Frank Wedekind.
Melchior is appalled to hear this, but Wendla convinces him to hit her with a switch, so that she can try to understand Martha’s pain.
At first Melchior is determined to do nothing of the sort, but reluctantly complies.
Melchior reflects on the shallow narrow-mindedness of school and society and expresses his intent to change things ("All That’s Known").