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A starting point for a design could be anything, from wanting to show the value of a certain technique, to the way we move in a space, to how we treat our bodies.
Collaborating and working in teams, is something that is very inspiring to me.Her concepts and designs often contain contradictory elements and a new playful approach, that she uses to push boundaries, resulting in a little idiosyncrasy or raw edge in every one of them.The desire to bring textile into the interior in a different way than we are used to, resulted in a technique that creates fragile looking skeletons, hat give the suggestion of a solid volume.Weaving, knitting, crocheting, knotting etcetera are all very approachable ways to create, but unfortunately are often seen as old fashioned.I wanted to shine a different light on textiles and textile crafts, by using textile in the interior in a different way than solely as upholstery.In general, the messages that I want to bring in to the world are a little bit under the surface of my designs.
I want to show people different sides and angles of the subjects that my projects are about, without serving the answer on a silver platter.
The volumes are built up, thread by thread, on a custom-made weaving loom.
3D-woven configurations are experimentally discovered on the spot.
Can you explain more the idea of multidisciplinary that you use to describe your work?
My designs start in ideas or in concepts, not in end products.
By 3D- weaving these textile sculptures I’m proposing the idea of textile as a beautiful new building material, with endless possibilities in application.