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(Calder 1966, 46) Fall: Calder joins the Student Army Training Corps, Naval Section, at Stevens, where he is made guide of the battalion.
(Calder 1966, 48) 17 June: Calder graduates from Stevens with a degree in mechanical engineering.
The duck is kinetic, rocking back and forth when tapped.
Directed by Jean-Michel Meurice and Jean Pierre Marchand; produced by Eliane Victor. (Calder 1966, 28–29) December: For Christmas, Calder presents his parents with a dog and a duck that he trimmed from a brass sheet and bent into formation.
The challenge is to move the animals from their pens without having two animals in the same pen at once. Stirling rents a studio in New York City on 51 West Tenth Street.
Corder; produced and written by David Idema; cinematography by Werner Schneider; narrated by Tom Saizan; edited by Bill Prins. (Sweeney 1943, 57; Hayes 1977, 41) Before 11 January: For his father's birthday, Calder makes , a game consisting of five painted animals—a tiger, a lion, and three bears—and a wooden board with nails divided into six pens.
(ASL, registration records) Before 3 May: Calder begins his first job as an artist, illustrating sporting events and city scenes for the , 3 May) Before 17 May: Calder moves into his father's studio, 11 East Fourteenth Street, while his parents are traveling in Europe.
Alice Prin, the Best Known Artist's Model in Europe." 23 Gravures de Arp, Calder, Chirico, Erni, Ernst, Fernandez, Giacometti, Ghika, Gonzalez, Hélion, Kandinsky, Léger, Lipchitz, Magnelli, Miró, Nicholson, Ozenfant, Picasso, Seligmann, Taeuber-Arp, Torres-Garcia, Vulliamy, Zadkine (1944). (Calder 1966, 59–61, 66–67; ASL, registration records) January–April: Calder enrolls again at the Art Students League, taking classes in portrait painting with George Luks, head and figure with Guy Pène du Bois, a drawing class with Boardman Robinson, and an etching class.
(Calder 1966, 39; Hayes 1977, 55) September: Calder begins his studies at Stevens Institute of Technology, Hoboken, New Jersey, where he takes courses which include chemistry, mechanical drawing, shop practice, and surveying, among others.
Directed by Carlos Vilardebo; cinematography by Patrice Pouget and Daniel Gaudry; narration by Calder; music by Pierre Henry. (Calder 1966, 37–38; Hayes 1977, 52–53; CF, Calder 1955–56, 14) August: The Calders move back to New York City on Claremont Place.
Barcelona: Fundació Joan Miró–Centre d'Estudis d'Art Contemporani, 1975. Museum at Large and the Whitney Museum of American Art, New York. Directed and produced by Paul Falkenberg and Hans Namuth; narration by Louisa Calder, Tom Armstrong, and John Russell. (Calder 1966, 22) Spring: The Calders move to a new house on 555 Linda Vista Avenue.
Portfolio of lithographs by Calder, Chillida, Guinovart, Miró, Ràfols-Casamada, Tàpies, Vedova, Viladecans. Mother and father were all for my efforts to build things myself—they approved of the homemade . (Calder 1966, 21) 1 January: Calder attends Pasadena's Tournament of Roses, where he experiences the four-horse chariot races.
16mm, color, sound (English); two versions: 28 min. Directed by Carlos Vilardebo in collaboration with André Bac, Marcel Beau, Jacques Decerf and Anne-Marie Cotret; narrated by Alexander Calder; music provided by Louisa Calder from various recordings. Produced, directed and written by Jean-Marie Drot; narrated by Jean-Marie Drot and Ed Wegman (NET). (Calder 1966, 49–50) Spring: Calder attends night classes in drawing with Clinton Balmer at the New York Public School on Forty-second Street.