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The history of animation started long before the development of cinematography.Humans have probably attempted to depict motion as far back as the paleolithic period.

Nowadays most animations are made with computer-generated imagery (CGI).Apart from short films, feature films, animated gifs and other media dedicated to the display moving images, animation is also heavily used for video games, motion graphics and special effects.The physical movement of image parts through simple mechanics in for instance the moving images in magic lantern shows can also be considered animation.The word "animation" stems from the Latin "animationem" (nominative "animatio"), noun of action from past participle stem of "animare", meaning "the action of imparting life".The primary meaning of the English word is "liveliness" and has been in use much longer than the meaning of "moving image medium".The network spin-offs “I Love New York” and “New York Goes to Hollywood,” which were devoted to Pollard’s own pursuits, gloriously extended her screen time.

But the ensemble vehicles that Pollard has joined in the long decade since “Flavor of Love” lack the social pressure-cooking from which Pollard so cannily feeds.The collection of Pollard memes—the actor infinitely reacting to some stressor, a perfect correlative scene to social life on the Internet—proliferates, and is now varied enough to make up something like a language.I like to imagine how memes of Pollard were created: a nostalgist studying reruns of Pollard’s shows and deciding that the way she had, say, bulged her eyes when a co-star, called Hottie, dared to compare herself to Beyoncé was somehow so articulate that it needed to be archived.Pollard’s chosen alias was “New York”; her cocksure presence startled her fellow-contestants, and alternately allured and unnerved her target.In the chintzy Los Angeles sex mansion, Pollard’s prancing and prowling made for one of the most memorable performances in reality television.This year, too, will bring its outrages, and we will continue to depend on the emotional candor of this looping language: Pollard—annoyed, massaging her temples, the crowd-sourced portrait of our resentment.