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The risk was you will look back on something and it feels like a high school term paper and you don’t recognize the guy who wrote it. I still connected to the material, still cared, and here, I loved the time period. I don’t like the aesthetic of cell phones, laptops, i Pads, in mysteries.It makes everything so easy and I don’t know how to shoot that stuff in a way that’s interesting to me.
With million in ticket sales so far, it’s million short of what it is needed to trigger more films based on the Matthew Scudder character from Lawrence Block’s mystery novels.I can sit here and wonder if the results would have been better had Universal opened it this Friday, when appetites will be whetted for challenging adult films and heroes without capes.Or I can point to the squeamishness of some critics who blasted Frank for faithfully adapting a novel about Scudder’s hunt for two serial killers preying on the girlfriends and daughters of drug dealers.DEADLINE: Lawrence Block’s serial killer subject matter is tricky terrain.I recall reading the ending of an early Ted Tally script version of The Silence Of The Lambs.I don’t know if you noticed, but we go from there to the window, where you see the World Trade Center, which was not a cynical shot, and more about how during that Y2K period there were a lot more important things to worry about than getting stuck in an elevator on midnight on New Year’s Eve.
FRANK: I don’t really have an answer, other than that my stories stay with me.Your access to the NCBI website at gov has been temporarily blocked due to a possible misuse/abuse situation involving your site.This is not an indication of a security issue such as a virus or attack.I re-read after it had fallen apart with another director.Liam had said he wanted to do it, and my agent Beth Swofford said, you want to direct another movie, why aren’t you making this one?What concessions did you make in depicting the lurid subject matter of A Walk Among The Tombstones?